Whenever I get bored, I change up the items on top of this pair of Chinese wine tables. Or on the glass shelves we added on the bottom to provide more display space. Recently I wanted something to punch up this room and bought this pair of lamps at a new antique mall in town. Mark is less than thrilled with them because they limit the size and number of pieces of art that can be put on the wall behind them — which is why I saved the pair of smaller scale lamps that had been residing here.
I put this grouping of objects out at the beginning of October. I wanted something that felt like Halloween but didn't include typical items. This group showcases a Japanese incense burner, a squash-shaped box of unknown origin and a Chinese ceramic piece that was likely used as a roof decoration.
I immediately fell in love with this piece when I saw it at an art show at a friend's farm the summer of 2021. It's an actual dried pumpkin covered with lead bullets and sculpt metal. It's called "Pumpkin Mine" and is a comment on the marine mines used to blow up ships. I'm still not sure why I am so drawn to it. I'm not a violent person and neither is the artist — a friend — who made it. But it certainly has that eerie Halloween feel.
This big wooden bowl full of Honey Locust pods comes out every autumn. When we first lived here, we rarely got pods from our three trees. In recent years, we are buried in them. We fill a lot of big bags with them and send them off to the county dump.
As a means of turning these lemons into lemonade, I saved the longest, shiniest, most velvety pods for display. They live in this bowl year-round in the basement except for their month in the sun every October.
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