Before adding the next layer of fill to the pond, Mark put down permeable weed barrier.
The weed barrier is intended to keep the layer of screened top soil from filtering below.
We took advantage of a big hole partly full of dirt to replicate our portrait taken on the day we started to build the pond in 1997.
Once the soil brought the pond level up high, Mark attacked the stream bed and waterfalls. He took out all the rocks from that area, piling them temporarily on the soil in the big pond. Then he removed as much rubber liner and carpet from the stream as possible. A number of the rocks in this area were set with a bobcat and two people.
We were lucky to be able to borrow a couple of contractor's wheelbarrows. These are built to carry loads of concrete. Even empty, I could barely lift and move them.
Mark's assistant, Angelo, had no trouble moving them full of dirt or gravel. Everything had to go from the driveway up an incline into the back. Angelo was amazing in how quickly he could move those barrows.
The soil layer also got rained on which helped to settle it and let Mark determine if his calculations were correct.
At this point, Mark began preparing for the final layer: Quartzite chips. He put wooden stakes in the ground, linked with string, to indicate the depth the chips needed to be, tiny surveyor's stakes.
The quartzite chips needed to be put down without mixing any dirt up into this final layer. We were following the system that Olbrich Botanical Gardens uses in their sustainable gravel gardens.
Once all the quartzite chips were settled on top of the soil. Mark began to level the pond surface. (It may not hold water but Mark and I still call it the big pond, stream and upper pool.) This was amazing to me to watch as he went the length of the pond on his hands and knees with a long, even board, a level and smaller pieces of wood to smooth the surface.
He took design breaks to work on placement of the stones around the pond edges. The round stone was moved a number of times, getting it just the right distance from the pebble beach.
You can see he changed his mind on how this area should be edged compared to the big stone blocks he experimented with above.
This view from the Upper Pool shows the stepping stones that cross it and the top of the stream on the other side of them.
Even the stream bed has raked patterns.
The sharply curving rock in the bottom pool of the stream symbolizes a jumping fish.
Once Mark removed that wide swath of Carexes to make his working "bridge," we decided not to replace any of them. Instead he created a beautiful little path down to the east end of the big pond.
He set a grindstone into the quartzite chips so you could step out into the pond for a different experience than just viewing from a distance.
Mark's first raking design was a very traditional linear pattern, the length of the pond.
The big stones in the pond and the curving edges mean there will always be curvilinear patterns.
This is where the stream meets the pond.
I love this view from the path between the two hills in the garden. It is a view I rarely noticed when the pond had water.
This was his first raindrop pattern, which was quickly followed by more elaborate version.
This was his most recent pattern: diagonal lines across the width of the pond. Though it is a very simple design, it has proven one of the most effective because we can "read" it from inside the house. It also gets lit by east and west raking sun which makes the pattern pop.
Mark began this project on April 4th and finished on Aug. 17 — four and a half months later. It was an almost daily effort; whether with a wheelbarrow or a pen and paper. We couldn't be happier with the result. We celebrated the "unveiling" with an open garden event in early September. It was also Mark's 75th birthday.
